Helmed by Portishead co-founder Geoff Barrow, this scabrous though undernourished first film casts a critical gaze on the ecstasy-fueled club scene. Self-serving drug user David (the actor) initially steals from an passed-out supplier, then in another flashback tries to burgle his own family home. Before you can say, he's upside down in the remains of his car in a woodland – and subject to the angry eye of the Poacher (Sleaford Mods frontman Jason Williamson). Declining to free David, with impatience toward townies, he is broken Britain embodied: “You’re one of those noisy cunts from up on the heath.”
A Shaky Start and Darkly Funny Confrontation
The film begins uncertainly, lingering excessively on pedantically chronicling David’s attempt to free himself from his safety harness, while awkwardly transitioning into past scenes of his everyday life. The bigger point – that the rave-era youth were primarily out for number one – is firmly made. But these brief episodes are too thin to properly prime us for what to expect when the Woodsman turns up, fuming after David kills his dog. Nevertheless, a grimly amusing duel unfolds – David eager to get away; the Woodsman withholding his jerrycan of scrumpy, determined to dousing him instead in resentful talk. Williamson, exuding ponderous menace in the role, is evocative of Michael Smiley.
Stylish Imagery and Music Video Vibe
There is only one important plot development, but it leads to a hilariously staged rampage on the forest trails that dips close to rural terror. Filmmaker John Minton finally gets to go all in with his showy imagery: where he was focused intently doing artful shots of insects in the light in the early stages, he now lets rip with the full lysergic grand display, accompanied by a frenzied keyboard rendition of Ravel’s Boléro. The movie resembles an elongated music video than a fully fledged drama, but there’s enough strident imagery to suggest that Minton could follow Jonathan Glazer, Garth Jennings et al into making the leap from the UK video industry.
The film is in British and Irish theaters from 17 November.
